The modern gallery of Valjevo
Retrospective of drawings in Serbia 1932-2022
25 Years Retrospective, Fictional creatures and where to find it
Sinisa Jeremic (Zagreb, 1966), is the successor of the Belgrade School of Visual Esoterism and one of its best representatives of the new cycle.
Siniša is at the very top of a new wave of fantastic art that has suddenly risen in Serbia in the new century. Unlike individuals, he is not a vulgar interpreter and follower of Mediala but an independent esthette of highly developed senses for a divine beauty.
25 Years Retrospective, Illuminator of the new cycle
Sinisa Jeremic (Zagreb, 1966), is the successor of the Belgrade School of Visual Esoterism and one of its best representatives of the new cycle.
Siniša is at the very top of a new wave of fantastic art that has suddenly risen in Serbia in the new century. Unlike individuals, he is not a vulgar interpreter and follower of Mediala but an independent esthette of highly developed senses for a divine beauty.
Ars Phantastica Book Premiere, Belgrade 2017
Jeremic’s work is based on one subject, his favourite topic, the one, that is most important and most crucial for him. This topic, on which he plays virtuoso variations, like the grand masters musician able to modify and extend one pieces in such ways, that each new creation becomes a masterpiece.
Walpersdorf Castle exhibition
Jeremic’s work is based on one subject, his favourite topic, the one, that is most important and most crucial for him. This topic, on which he plays virtuoso variations, like the grand masters musician able to modify and extend one pieces in such ways, that each new creation becomes a masterpiece.
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Dreamland
I grew up a free spirit, unfettered from religious, national or traditionalistic imperatives. As for myself, cultures of the world were as equaly acceptable as that of my own. My need for spirituality (and thus the understanding of religion) was developing through practicing art, studying its history and human psyche.
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Alexandria
The internet, libraries and an easy access to the overall knowledge gathered through history of the mankind come as a privilege Alexander The Great, a conqueror whose legacy laid the foundations of the Alexandian Library, the largest and the most magnificent temple of the ancient world’s knowledge, following his aspiration for collecting knowledges and readiness to recognize both religious and national differences (unfortunately, even the greatest minds of the ancient world didn’t take seriously the slaves human rights issue), once dreamed about.
Blog, Neodecadence
Neodecadence
Since the Pre-Raphaelites, the decadence of the symbolists had reflected in keeping distance from the industrial revolution of the nineteenth century, a material imperative of those times and quite unreasonable ways of consuming natural and abusing human resources (and as a matter of fact, these ways haven’t changed a great deal ever since).
Blog, Neodecadence
Welcome to neodecadence
A symbol, by it’s very nature, refers to an absent reality. In matmatics it signifies an unknown quantity, in religion, poetry or art it lends substance to an unknown quality – a value that remains out of reach.